june bug

Life is funny sometimes.

I gathered myself in all seriousness. June has been a density surrounding me, supporting and invisible. Times I might have fallen, but did not. The miracle of buoyancy. Just this, still here, still breathing, while all around the day lilies flower.

I wanted to honor her. I wanted to let the noise subside so that I could really see her, breathe her name back to her. Give thanks. June of portals and gateways. June of launches out of the known and into the turbulent brightness of the new.

I tried, but words and protocol eluded me. I meant to bow, but instead flung myself into the grass by the Wellspring, spread-eagle under the leaf filtered sky, sighing, “Ah me,” in happy pining, like Juliet at her balcony. The sky was beautiful and breezy, the day in its heat smelled both chalky and tender. “I guess I’ll just wait here awhile,” I thought, and then the ground opened beneath me like a trap door and I plunged into darkness and void.

Not unpleasant in itself, darkness and void. There is the relief of simplicity to it, everything unfurls. I was some time falling through emptiness until I fell clear through into turbulence, churn and turmoil, the froth and rumble of tide. I was turned and tumbled and tossed out on the beach, a spit of sand.

I got to my feet, a little shakey. “Glad that’s over. Safe now.” But I wasn’t. Another monster wave came and picked me up and tossed me further up the sand. Standing again I became aware of something large and unknowable approaching me overland, and from either side shifts and flashes I could not make sense of. I grew frightened. I didn’t understand anything.

And then I heard her, through the roar of confusion, I heard her voice, sweet and small as the tinking of bells. “Make a story of it,” she said. “When everything is new and strange, you have to make stories to make sense of things, give them shape. And then you can begin to play. Oh. Can you hear me?”

“Yes. I hear you.”

“Oh! I’m so glad you’ve finally come. I’ve been waiting forever.”

I could hear her. I could sense her there, but I couldn’t quite see her. I tried, but couldn’t make her out. She was young and eager, with small cool fingers, her touch light and tentative. She was a story teller. And she had been waiting just for me.

“You’re a mess,” she said, a little sheepish, as if making known to me some intimacy I was somehow blind to. She tended to me, pouring cool clean water over me to wash off the salt and offering me a bowl to drink. She was so happy to see me, dancing in, her small fingers landing lightly on my arm, my cheek, and then falling back, uncertain. “Do you love me?” she wondered.

And I did, oh I did. I adored the young fragile brightness of her. The eager flutter, the hesitation.

It was a funny reversal, she so young and vulnerable, me so old and solid. Her tenderness called from me complete and unconditional love.

“Do you love me?”

“Oh June Bug. I do.”

“Will you keep me with you? Will you play with me. Will you?”

“I will. But why can’t I see you clearly?”

She peered close then, examining my eyes. “There’s a film over your eyes. Let’s find the story of that, shall we?”

We settled into the sand and she gathered my head eagerly into her lap, rested her cool small fingers over my eyes. She listenened a moment and then she began, “Once upon a time, just the other day, you were sleeping.”

I laughed at that and she shushed me.

“You were sleeping in the sweet cool darkness. And everything was just fine. Everything was lovely, you were sleeping. And then, a great light came into the place where you were. A great light poured all over you, waking you. And you opened your eyes and looked straight into the light. It was too bright for your eyes and burned a film over them and turned them inward so now you cannot see clearly out. You only see clearly in.”

“But isn’t this in here?”

“Yes, but it isn’t so much about where you are as how you look. Your eyes are shy of looking direct at the source and also the surfaces of things.  You must look without looking. You must look instead at the shadows things cast, at the smell they leave behind, at the sound of their coming. These are the traces for you to tell. This is your telling. Look sideways. Tell that.”

She had spiderweb hair, the color of light. A sharp chin, a crooked tooth. She had a stubbed toe and scabs on her knee. She was wearing short cut-off jeans, so short the pocket poked down below the fringe. She was young. There were ink doodles on the denim. She didn’t sit still, but moved through bends and twists, holding this or that piece of herself, her elbow, her knee, her toe. She was bug-bit and scratched absently when she was thinking.

Her voice, her voice I may have mentioned, was cool and sweet as water falling into the still pool of a fountain.

I asked her what service I might offer and she couldn’t think of a thing. Just to be with her, to love and keep her safe, to play with her, tell stories. What else coud there possibly be?

I showed her the twig from the magnolia tree I found on my walk this morning.

“It’s beautiful,” she said.

“Yes.”

She looked again, then back again at me. “There’s no story to it, is there?”

“No,” I agreed. “No story at all.” We grinned at each other over that, we two story seekers finding such delight in a story-less thing.

“Li-li,” she said, “I’m glad you’ve come.”

“Oh me too June Bug, me too.”

OOO

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every breath a crossing

We are in the heart of the wood. It is dark and damp and still. I sit by the pool of the white lotus. The trunks of ancient trees tower over me. The ground is thick with ferns. My companions are scattered in the ferns. There is an occasional murmur of words among them, a quiet laugh. And then stillness again. I can hear the lotus singing. The singing is a kind of listening.

The Ferryman sits close, one knee touching mine.

I am here. I am everywhere at once. I take a breath.

He smiles at me.

I see it now. Every breath is a crossing. Every breath a joining, an exchange.

I reach out my hand to him. A small flame sits in my palm. I cup one palm over the other, containing the flame. It flows into me, flows through me always. I reach out to the Ferryman, touching flame to flame.

OOO

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love is yes

I kneel at the river’s edge, dip my hand into the cold flowing, cup the water and carry it to my face. The water is full of light and clarity.

I think that this is all, this kneeling and receiving the blessing of water, but there is movement on the far shore, a calling. Deerman waits. The Ferryman takes my hand to help me cross. Our feet lift and we begin to drift out over the water. I look at the Ferryman in wonder at this. He grins. “There are many ways of crossing.”

But then, something big intercepts our passage. The River King turned to stone. Huge and gray, he rises up in the middle of the river.

I cannot move him. I cannot pass.

I will be the water to his grieving. I will stand beside him saying ever, “Yes it is so. And yes we can bear it.” The infinite return of water, renewing ever the touch of yes, yes, yes.

OOO

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night mother

The Ferryman leans over me, shakes me gently. “Wake up,” he says,  “you’ve been dreaming.”

I am confused. It’s dark and chill. Where am I?

The ground is damp underneath me. There is a sweet, bent grass scent to it. People are moving about. I pull myself up to sitting.

The dark is not impenetrable, it will be light soon. Someone is seeing to a fire. My hair is wet and full of debris. I sit cross-legged on the sandy ground with a blanket around my shoulders. I don’t know yet what my job is. There is no call to movement in me.

Someone comes to see to my hair. Two young girls comb the tangles out. They are a little scared of me, awed by the mess and the struggles it tells of. I don’t remember where I’ve been.

Across the fire sits an old woman. Naked and cross-legged, she sits untroubled. She watches me. It’s her I want. She watches me.

It is hard to get from where I am to where she is. The young girls cry out and tug at my hair as I lean into motion. I don’t mind them. I shake myself free, move forward on my hands and knees. The sharp edges of things catch in the firelight and sing duty songs to me. There are other things I might be doing, there are struggles to attend to. I am blinded by the flash and glitter of them all. I lose my way.

The old woman is patient. She watches me. I want her to fetch me to her, but she will not. I must find my own way. I close my eyes, let the darkness flow back. In the darkness, I am there.

I crawl into her lap. She takes me up and cradles me, bends her head to bless me. “You are never motherless,” she says.

I gift her the pure flame of myself. She wouldn’t accept anything less.

OOO

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all right now

When I look to my third chakra I see a man in pale coveralls. He is ready to get the job done. He’s got a walkie-talkie pressed to his ear but all it’s putting out is static. He gives it a shake and tries again. “Hello?”

He is ready to get the job done, but he needs instructions. He needs to be told what it is he needs to do. There’s been a communication breakdown, some technology glitching.

I go to him, take his hand. I am thinking I will inscribe the instructions on his palm with the tip of my finger, but instead I rest my head in his hand, laying cheek to palm. I give him my tenderness and vulnerability. I trust him to read it right.

With his free hand he strokes the hair back from my face. It’s all right now. It’s going to be all right.

OOO

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equally true

We are deep deep in the green, not moving, past need for movement. In our stillness we are everywhere. We have arrived at the lotus pool. The pool is us. The radiance blooms in our stillness.

A wind comes up and confetties us, breaking the whole into flashes of light and shadow. The wind dies and we return to ourselves, slip easily back into stillness and bloom.

Both are equally true. Each truth holds the other. Each seeds the other. We are still. We are in motion. We bloom.

OOO

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I dreamed again

I woke from dreams of effort and striving to find myself rainfall in the tree tops, the long descent broken across green surfaces, to gather again and fall and break again, until at last I fell into the still dark pool where the white lotus grows luminous. I lived there fully, in the still and the wet and the luminous. And then I woke again.

OOO

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May says: What are you waiting for?

I have been trying to meet up with May, but she is hard to pin down.

She feels like a suitcase packed and ready, the night before departure, like fairgrounds in the dawn, a dancer poised in position behind a curtain not yet lifted. I think all the pieces are in place, everything is ready and waiting to begin.

What if she never steps forward? Never talks to me? What if this month alone of the twelve remains a gap, a silence? What if all there is is me here waiting?

I see one small four-petalled flower in long blond hair, the palest pink. It is my hair. It is not my hair. I see white skirts spread in the grass, a fair face, a dimpled smile. I am a little sheepish at this representation that feels so storybook. She says, “How you prepare determines what will come. How you set the stage determines the action.”

While I am watching, her porcelain complexion transforms into a wolf’s face. The dress falls off her. She trots into the wood. I hesitate, and then I follow. She leads me deep into the darkness, around a small hill, through crowded trunks and out into a clearing where a beam of sunlight falls like a spotlight, highlighting nothing in particular, a waiting. I stand and watch the spot.

The wolf says, “While you are waiting, it’s already begun all around you. The big show is just a decoy. The real story is already unfolding, on the sidelines, behind the scenes.”

There are creatures moving through the trees. I can see their eyes. They step softly, knowing what they are about. It is a mystery to me. I turn my attention to the wolf and she falls to a pile of fur and bones. I step closer to look and see among the remains the golden ring, token of an abandoned promise. I take it back. I slip it on my finger. From the scatter of bones I gather up two to beat myself a rhythm. I begin to play the bones.

May says: “You are the one you’ve been waiting for. Look, you have hands. Look, you have feet. What are you waiting for? You’re on. Go. Go!”

OOO

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blessing monkeys

I am in the wood, moving fast. We have found a path, a trail. It is narrow and sometimes obscure. Leaves and small branches smack at me if I’m not careful. The Ferryman comes behind me, bearing my burdens. My hands are free.

Shouldn’t the Ferryman be in the lead, I wonder? No. I am leading. No, actually. Deer Man is leading. Only I can hardly see him. When I lose the trail, I stop. I get still. I listen. Then Deer Man materializes again and we go on.

Where are we headed in such a fervor? There is a sacred spring at the heart of the wood. In the spring a white lotus blooms, holding light in the forest gloom. That’s where we are headed.

Suddenly I see there are monkeys sitting by the side of the path. Beggar monkeys. Blind beggar monkeys. They sit beside the path with their hands cupped before them in supplication. I stop to offer succor.

Is that a sound of discouragement from the Ferryman? I look back to see if he is signalling me to desist, but no, he is impassive. What I do is up to me.

I place in the monkey’s cupped hands an orb of light, soft and golden like a vitamin e gel capsule. I anoint his forehead with the oil. He clutches the orb and scutters off. I do not know if the gift has the desired effect, or any effect at all. It does not matter. I go on blessing the monkeys as I go.

There is a sudden confluence of bodies, a rush in at me that stumbles me. I drop all the orbs I was carrying into the leaf mold. The monkeys disburse as fast as they came. I sit in the leaves. Should I pick up the fallen bits? I wonder about that, then looking closer see that they are sinking in and seeding the earth. They are doing good where they have fallen. I don’t need to gather them back. I find that my pockets are still full.

I get up, brush myself off. We go on.

OOO

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Deer Man breathes over my heart

I go to the Wellspring on hands and knees. I cannot lift myself up. I am heavy. My palms press into the dirt, the small rocks biting. I hear the Wellspring, the delicate splashing, but cannot lift myself to her. The breeze is in the trees and a flittering of birds. The world is light and I am heavy.

I call for the help of a guiding spirit. I call for help in the night’s quest. I don’t know if anyone will come. I am so broken. Then I realize there is someone standing at my shoulder. I see white moccasins and leggings. I turn my head to look up and up to see something simple and complicated about his head, smooth plains with projections, maybe feathers, maybe… antlers. It’s Deer Man. Recognition floods over me sweetly. It’s Deer Man come for me, of course it is. He keeps coming for me. He keeps coming and holding out his hand. I am so grateful.

I take his hand and he raises me up. I ask the question: “What core belief is blocking me from being able to move forward?”

He turns to lead me away. Its the first time I’ve seen him move. He goes quickly. I follow. He shrinks down smaller and smaller. I can’t follow. I stop. He disappears. I stand fretting. He gets big again and looks at me, gestures for me to follow, shrinks down to ant size. I just can’t. I hang there. I begin to cry. “I can’t. I can’t. It’s too hard. I don’t know how.”

Deer Man is standing large again looking at me pointedly, patiently. That’s it then. The core belief is: I can’t. It’s too hard. I don’t know how.

“Oh. Oh. Can you take THAT from me?” Wouldn’t that be amazing?

The Deer Man holds the golden bowl to collect my tears. He turns and raises the bowl of tears to the moon. Moonlight blesses the water with forgiveness. He turns back to me and begins to extract the slivers of this belief which are like pins holding me together. He drops them into the blessed tears and they dissolve there. I see him remove bits like safety pins that have held me all tucked up and bunched. With the pins removed I flow. He runs his hands down the fabric of me, smoothing out the wrinkles.

My heart is burning, aching. He reaches into me and pulls out my heart, holding it cupped and protected in his hands. He breathes over it: “You can. You can. You can.” In all these days of meetings, these are the first words I’ve heard him utter. They wash all the pain from my heart. He gives it back to me. And when he does, I bend at the waist, crumple down to the ground. I think I have fallen into a big tangle, but then I realize that all of that stuff that fell, the great bulk of me, is simply the manifestation of this core belief of inability. It is not ME fallen to the ground at all, it was like the clothes I was wearing. What remains of me is pure light, upright, lithe and easy.

“Thank you. Thank you.” I say, “How can I thank you?” I raise my hands to him.

He takes my right hand and lifts it to his mouth. He licks my palm and then blows across it. When he does that a sort of sparkling effervescence rises from my hand. “This is where you give from,” he instructs. “Not from your head. Not from your mouth. You heal with your hands. Be generous and present with your hands.”

I lift my hands to either side of his face. The sparkling washes over him. This is all the thanks he desires.

OOO

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