Launch

The Ferryman declares victory

The Ferryman catches me up and lifts me into the air. For a moment I am completely airborne, my hair flying out in all directions. Then I am down and we are dancing, spinning, holding each other against the centrifugal pull and laughing, laughing.

It’s a harvest dance. There is bonfire, sparks flaring into the dark. There is music. And there is dancing.

I stop to catch my breath, pressing my hand to my heart. The celebration is maybe a little bit out of proportion. A lot of noise for something so small. I begin to feel sheepish. “I should probably go back to work. There’s a lot that needs doing.”

The Ferryman thinks I’m funny and splashes water at me. I splash him back. It isn’t long before we both go into the river.

Oh I am all rattly and glad. I am all shimmery and glittery and staccato.

It’s a launch!

OOO

The Spirit of Center, the infinite cycle in the stillness, has something to say about all this in the comments

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September takes me by the hand

Spirit Guide of September

She comes for me and takes me by the hand. She is tall and I am small. I am a great drag of resistance hanging off her hand. I don’t want to go. I am not ready. I want to stay, to stay with her.

She is sending me off.

Her name is Umbadu. She is magnificent, tall and thin, the color of dark chocolate, joints knobby in the stick thinness of her long, long legs and arms. She might be made of some dark and polished wood, there is such a gleam to her, and a gangliness. She is so much taller than I am, I can hardly see her face.

She wears an intricate headdress rising from the back of her head, a fan, a wooden screen with swinging bits hanging from the steady bits, rattling as she moves. There is rattle to her. Her dress is covered in intricate designs – lines and dots all swirling, paths on a treasure map. There is a lifetime of journeys in her dress.

Her feet are bare on the ground. She walks slowly but without hesitation. We reach where we are going, a grassy bank with a small dark hole in it.

She folds herself down to speak with me, bends herself down to me, listening.

“Why can’t you come with me?”

“The way is narrow. You are small and I am big. I cannot get through.”

I don’t believe there is anything she cannot do, if she wants to. She could do anything. Anything.

She waits. I consider.

There is something through the hole that she thinks is important. Something she wants, but can’t get to. It’s up to me to go through, to find out what’s there and fetch it back to her.

“Is it dangerous?”

“It won’t kill you. I wouldn’t ask this of you if I thought it would. But if you are asking will it hurt? It probably will. There is difficulty and suffering on any path. It’s not to be avoided.”

She doesn’t make me go. In the end her desire for it to happen is enough. It is my job, my mission. I accept it.

I go through the small dark hole in the bank and straight away lose myself in the light, the noise and confusion on the other side. I lose the way back. I lose, for a time, the memory of her, of Umbadu.

Alone in the dim she sits by the bank with her long legs folded, knees to the sky, feet flat on the ground, her hand resting palm up on the ground beside her as if it’s only purpose in life was to hold on to me, and until I returned, it would wait.

~

Am I lost forever? No. No.

In the end I remember, I find my way back. I have grown as tall as she, only beefier. But the bulk of me is insubstantial – I let it run out like air from a balloon. I condense back to lap size and climb into hers.

She makes a cradle of herself, arms and legs and belly. “Tell me,” she croons over my return, “Tell me what you have learned.”

I think of all the light and motion, all the cutting detail—roadkill, cable bills, swimming pool ladders—what use has she of these? What good would it do to clutter her world, to batter the stillness with all of that? What have I learned that she needs to know?

I look into her open face, her waiting.

“I learned that your eyes are lake water deep. That all the joy in the world is born in your mouth and when you tremble the stars fall down.”

And hearing this, her heart is glad. She croons and rocks. What god does not appreciate being worshiped?

Who among us does not?

Sing praises. In all your encounters, sing praises.

OOO

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where I am, so he is

I was standing at the end of the pier with the wind in my hair. I was going to have to go into the water, I knew I was, but it was full of chop and turmoil and I knew I would lose all my hard work when I did. Impossible to hold onto anything in that. And I’ve been working so hard to gather all the right ingredients and to hold them together in just the right way.

Buffalo Man came and stood just behind my left shoulder. His appearance surprised me, gave me a great jolt of hope. Maybe all would not be lost after all. “Will you cleave to me through all of this?” Such sweetness.

He turned his calm to face me.

It wasn’t like I thought. It was less and it was more. He waited for me to understand.

This wasn’t about choosing or declaring allegiance. This wasn’t about struggle or effort at all.

Where I am, so he is.

Simple as that.

It came over me like a sudden ability to breathe—

Realizing your heart’s desire doesn’t require striving,
it requires surrender.

“Hush,” he said. And we went into the river.

OOO

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remembering what you want

Lake Water Woman gets kissed

I stood facing the Buffalo Man, a great indecision of air between us. He stirred nothing in me. “I’m sorry,” I said. “Maybe if I could get closer. Why can’t I get close to you?”

“You don’t want me enough.”

“Oh but I do.” I knew that I did, I remembered writing it down.

“You only want me for my money.”

First I laughed, and then I stopped laughing. Under the absurdity of that accusation, there was truth. I had pinned on him my hopes of a way out of debt. I was thinking he would help me make some money. And all the pressure I felt to hurry it up, make this connection, take it somewhere, were all rooted in the idea that this liaison would produce something sellable.

And that’s why I didn’t feel the pull anymore. It’s not his salability that I love.

I let it fall away like an ice shell cracking and the distance fell with it and there he was, breathing into my hair. “Want me because I am strong and true. Want me because everything alive in you wakens to my touch.”

He kissed me then. He tasted like, oh—he tasted like lake water.

He tasted like me.

OOO

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forgetting and waking

Buffalo Man and Lake Water Woman talk about forgetting

I am aggrieved by my forgetfulness. “I don’t want to forget you.” Not ever again.

Buffalo Man is untroubled. “Always you will forget. It is the second step in the cycle of remembering. It is important for you to forget.”

Still, it feels like betrayal to me, like abandonment. “I don’t want to lose you.” And what if I get stuck there, in forgetting?

“I will always come to you. I will always rouse you.”

It’s not his constancy I doubt. “How will I know you?”

“Everything vital in you will rise to greet me.”

OOO

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buffalo man and lake water woman

This is the story of Buffalo Man and Lake Water Woman.

He stands on open ground, his feet in the grass, the breath of all his people stirring the day around him. He lifts his head and breathes the wind. Across all this distance he catches the thin, secret scent of her.

That shining edge of her fills him with power. He knows her. There is belonging between them. He goes. He covers all the ground between them, he does not stop, he does not stray, he has the scent of her now, he knows, he goes to her.

When finally he reaches her, she is frozen in forgetfulness. She does not recognize him. She is polite, a little wary. He plants his feet and watches her. He breathes the song of his patience over her, the song of his journey, the song of his knowing.

Into his breath she wakens. Unknowing streaming off of her, she rises to meet him.

OOO

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I am this

A bag fell to the ground and two snakes spilled out, thin and writhing, poisonous.

In the panic of feet that followed, the snakes drew themselves up into their own heads, flaring like a lizard’s ruff, the palest violet. The ruff became wings, like butterflies’, and they rose in flight.

Flying poisonous snakes.

The panic escalated, everyone screaming and covering their heads. We were all so afraid. And tangled.

One of the snakes flicked against me, caught on my upper arm, my protective shoulder, bit. I felt the sting and the slow spreading burn. I tried to brush it off of me, to make it stop, but it was no use. A warm heaviness crept over me.

I fell.

~

I asked the snake why he had poisoned me.

“It’s not poison. It’s an invitation to be still and listen.”

“You want to talk?”

“You need to listen.”

“What will you say to me?”

“Hush now, listen.”

I did what I could then. I became an empty basin. I gave myself to the stillness of listening to silence.

The basin filled with water, cool and black and deep. Light and wind fancied the surface but the deep kept to itself, a great mystery, teeming with life. I saw the snakes in the water, twined in a double helix.

I thought, “It’s about who I am, at the very core.” I thought, “I am this.”

That’s when Buffalo Man found me.

OOO

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all unknowing

My love went into the water to wrestle a whale onto the shore.

The creature’s face on the sand was ancient and forgiving. My love went for his knife, while I scrambled for some teaching that might save her.

There will be whale meat on the table for quite some time.

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passing time in silence

Fell into a sleep deep as a river, and black and cold, with all the noise on the surface,  chatter and hum, and I — flicker of light — tucked into the riverbed, face into the current, with the long tail of my unwinding behind me.

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this

The Ferryman stands at my back, lending strength to my spine. He is a mighty ally.

I want to gift him.

I take a fist-sized black river rock from my pocket. I cradle it to my belly, then rest it on the ground between his feet.

“This,” I say.

“Yes,” he answers.

OOO

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