just wait

“What’s this?”

There’s a bridge across the river, where there was none before. A stone bridge, arching over.

It surprises me. Why would the Ferryman allow this? It crowds him out. Crowds his service. I wouldn’t think he would like it there. I’m not sure I like it there. It provides easy access — going both ways. Permanent access. You can’t just disengage when you don’t feel like entertaining. Is this a good thing?

“Bridges are romantic,” the Ferryman says. “You can stand at the top and look over.”

“Across to the other side?”

“No, down. Look down at the river flow. It lets you look at the river without actually being in it.”

Oh. Yes. That’s nice. I watch the water, the stones in the river bottom. It’s lovely. I could just stand there and watch the way the light falls through it all.

“What am I supposed to do?”

“Wait,” the Ferryman says. “Wait here. Just wait.”

OOO

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now go to bed

The ferryman stands, spits to the side, walks the length of the dock to me, his feet making a hollow thud on the soft wood.

I am bedraggled. There’s mud in my hair. He shakes his head sadly, asks for my hand. I give it.

He runs the point of his knife across my palm, drawing blood, holds a small vial to collect the dripping. “Much as I love you,” he says, “there’s always a cost and I must collect my fee.” He stoppers the bottle and pockets it, folds my fingers over the wound. “Now go to bed. You’re tired. You need to rest.”

OOO

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come what may

Sailing through the Straits of Confusion

I knew it would come to this. Still, when the storm winds caught the ship, my light went out.

The black waters lashed at us. I lost my footing. The deck heaved and fell and I couldn’t tell up from down, sky from water, breath from fear. I grasped at the railing, but in my hand it was a loose unanchored thing. I grasped at a rope, but it was my own hair, and bound only to my own self, I fell free.

How long did I fall through the roil and tumble? Immeasurable.

I wept for the ship I had lead into ruin. I wept for the sure-footed crew. I wept for the monkey with his tiny gripping toes, and I wept for the bright feathered bird.

It was in my last surrender I heard it, a barking bright laugh, a song. It was Rebecca, face into the wind and giddy with the ride of the waves. And so we were saved.

Through the storm’s dark raging, I was cradled in the net of her song as she sang:

Come what may
We will carry on
Come what may
Come what may

OOO

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in reflection

Buffalo Man looks into the water to see if he might see himself reflected, but all he sees is stars.

Lake Water Woman says nothing.

OOO

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ship and crew

I have been standing on unstable financial ground. The weight of that instability falls on everything I turn my hand to. I want to find firm footing. I want to find support. I want to find a steady flow of resources. What does that look like?

Grace comes to lead me on this quest. She flicks her tail and suggests I clean myself up before we go. I am a little ragged and it will be important to make a good impression today.

I give myself to the water of the Wellspring. My hair lifts and drifts, the twigs and leaves wash out. I come clean. NH combs and braids my hair. He brings me clothes to wear, a dress of deepest blue, twinkling with starlight, a gauzy veil pinned to the crown of my head flowing down over my shoulders and back, thick with sparkle. I am resplendent. I have never shown so fine.

I follow Grace. My dress is all flow. We could run if we wanted, but we go stately. The power to run shimmers around us.

We are on the beach. It is night, thick with stars, a big moon low on the horizon over the water. We stop at the place where we have lit fires before, but do not light one now. We look out at the night. Everything speaks to my desire for abundance, all the drops of water in the ocean, grains of sand on the beach, stars in the heavens. I am surrounded by abundance. There is no want.

“I see this Grace, and thank you. But I need a teacher, a guide, someone to speak to. Can we find a spirit of abundance to help me work out some logistics?”

Grace leads me around the headland and into the cove beyond. There is a pirate ship at anchor.

“What? Pirates? But I seek to make peace. How can I make peace with treachery and violence?”

I am answered then by a clear calm voice. “This is what you see. Treachery, thievery, pain and suffering. It is not what I see.”

“What do you see?”

“I see a ship. A crew. A hold filling with supplies. I see potential and ability. What will you make of it?”

“Is the ship my guide then?”

“The ship is yours to command.”

“Am I the pirate captain then?”

“You are the captain.”

“And you?”

“I am your First Mate.”

Her name is Rebecca. She is beautiful, tough, a scarf over her head and a hat over that, cocked sideways. She wears adopted bits of finery. This and that, gathered through her days. Nothing ready made. Something glittering at her ear. She has a keen eye and balance. She is tough and the crew respects her. She is overseeing the filling of the hold, barrels of clean water to last the voyage.

“I don’t know how to be a ship’s captain. What do I do?”

“Your job is to inspire. To cultivate the vision and the desire for it, the hunger that leads us all. Stand at the prow. Let the moon and the wind fill your veil. Let the crew see you glitter and shine. When the hold is filled, you will tell us where to go.”

I do as she says and stand in the prow looking back over the ship. The crew is raggedly dressed, sure footed. They know their business. There is a monkey in the rigging and a bird with bright plumage. There are butterflies in the rigging that rise as we weigh anchor.

I want to carry the butterflies with us. I want a garden in the middle of the ship to house the butterflies so that startlement of color, that rising away and settling back will be with us always.

The idea is frivolous, not sound, and costly. Rebecca councils against it. We need to go lean and with purpose. She’s right. I let the butterflies go.

I turn and face out to sea, face into the moon and she begins to sing to me and her singing sets me alight. The crew is delighted. We will sail for the moon. A ship can be used not just for plunder, but for exploration. We can discover ways that aren’t yet known. People on shore, people who love maps, will value what we discover.

My job is navigating and mapping and inspiring the crew.

How do you steer for uncharted lands? You aim for something known, then change course in the middle of the night. Sounds like trickery. It doesn’t have to be. It’s easy to go off course. The wind can do it for you. Steer into the Straits of Confusion, let the storms set your course, find yourself lost, chart the way from there.

Rebecca nods. “Heed this though, the supplies on board are finite. The mission is to reach a refueling place before you die. The crew’s not afraid of a little hungry, but not a one of them aims to die at this. Except you perhaps, but the crew won’t like it if they catch wind of that. They need to trust you to want surviving as much as they do. If it comes to that, the suicide mission you fly solo. They’ll honor you for that. Until such time, your imperative is to make landfall before the supplies give out.”

“Agreed.”

And so we sail, off toward the moon, knowing the storms of confusion will land us somewhere new and unknown and we will make our way from there. I stand at the prow in my resplendence, catching wind, catching light. I tune my compass to the new land that waits for us. We sail.

OOO

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perfect fit

I was given a new pair of shoes and sat to pull them on and lace them up.

They fit perfectly. So perfectly that I couldn’t feel them at all. It felt like I wasn’t wearing anything, like it was just me.

I thought: I could go anywhere in these. I could do anything and it wouldn’t feel like work. It would feel like joy.

OOO

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hermit walk opens time

Somewhere along the line I lost my footing and now I can’t get purchase, I am floundering. I call for help.

“It takes time.” The voice is old and clear.

“Yes I respect that. It’s just that I’m pretty overwhelmed by all the recent events right now. Can I not jettison some of the input? Just kind of scrape it off me somehow?”

“It takes time.” The voice is old and clear and stern.

Still I’m going too fast to heed the warning. “Yes. I understand that, but I can’t always space things out as much as I’d like. Sometimes things just happen, one after another with no breathing room in between. I was hoping maybe you could help me, teach me some way to recover when things get to be too much for me.”

“You want shortcuts? You want easy? This is not a negotiation. It takes time.”

I see him then, wrapped in browns, a length of robe draped over his head. From this cave of a hood he looks out at me. I know him then. He is my Hermit and he has come for me and I am glad. He turns and walks away and I follow.

I understand now that I must accept the answer of time, but I want to ask how I’m supposed to pass the time while I’m waiting. I think I will wait a bit before posing the question.

The Hermit walks before me, I follow. We climb a narrow path through grasses, up a hill. After a bit he turns to face me. “You’re following me?”

“Yes.”

“Where are we going?”

“I don’t know.”

“Would you follow me into darkness? Would you follow me over thresholds?”

I think it is a test and I don’t know the right answer. “I will follow where you lead me, but I sure would like to get cleaned up first. I’m a mess.” There’s mud in my hair and coating my arms and across my chest. Some still wet and clumpy, some drying and stiff.

“Follow me to the shower then.”

He leads me into the woods. “A waterfall?” I imagine a sweet cascade.

“No. A shower.” He’s got a solar shower rigged up, water in a canvas bucket. I pull the handle, a prudent stream of water washes over me. I am cleaned.

“A waterfall would have been more water than you needed.”

“And colder.”

“Yes. Colder.”

But it wasn’t about my comfort. It was about a sense of prudence. I need to learn to take, in careful measure.

He sets off down a road and I follow. I am meant to walk as he walks. He goes excruciatingly slowly. I see how extreme slowness breaks the grip of things on me. I feel myself expand in the focus of lifting a foot, carrying it forward, setting it down.

I think this is the opportunity to let go of things that are clogging my system. I think: I will let the noise of it all go, but the gems in the lot I will keep hold of. I open negotiations with the stuff, I say: If I let you go, and I shouldn’t have, then come back to me. I say: If you’re important, then make yourself known to me and I will keep hold of you.

The Hermit turns on me scolding. “There are no conditionals. Either you let things go or you don’t. Either you follow me or you don’t. No conditionals. No negotiations.”

“It’s hard.”

“Of course it’s hard.” He doesn’t care one way or another which I choose, to follow or not. He turns to resume his walk. He puts total consciousness into each move, each shift of weight, each breath. He feels the ground beneath his foot and the pivoting of his weight as he shifts forward. This is the key, to pull completely into the present, the experience of the present. “The past and future are saddlebags thrown across this moment. You don’t need them. Let them go.”

I slow myself to match him. I follow. Everything expands as I narrow my focus on just this.

After some time I turn my head to look up the hill.

“If we are turning,” he instructs, “we will turn with our whole focus, not just a glance of the head.” We stop, turn our feet to face the hill, we keep our knees over our feet, our hips over our knees our shoulders over our hips. Our eyes start from the point just in front of our toes and climb the hill while our weight rests easy on our feet. Our eyes move up the rocky ground, through the grasses and the brush and into the treeline, up the rise of the trunks to the skyline and into the sky where a hawk is circling.

The Hermit and I make another quarter turn, looking back down the road we have come up. The way is filled with boulders, the way is filling up behind us, there is no going back. We make another quarter turn and there is the lake, black water cupping sky.

I remember being lake water.

I give myself back to the lake. On the far shore Buffalo Man stands waiting. When the time comes, he will hold out his hand and pull me up to stand with him. He will remember me to myself. But for now I am this, black water holding sky.

I understand that I am shaped by who perceives me, I step into the reflection of that perception. Not essentially untrue, just brushed like iron shavings to a magnet — these particular highlights, this emphasis. Some things picked out to shine and other things held hidden. It’s different when I’m alone, when there’s only myself and the world to perceive me.

I see too that when I am not remembering Buffalo Man, when I am forgetting him, I am remembering something else, remembering this, myself, black water holding sky. It is forgetting one that allows remembering the other. It’s good to be here.

I will return to Buffalo Man soon, and gladly, but first I will finish this conversation begun with the stillness of deep waters.

On the road the Hermit moves on, one slow knowing step at a time. In the falling dusk he raises his hand as a lantern. He doesn’t need the light to see his way. The light is for me.

OOO

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path dancer

I find myself on a narrow path with nothing on either side to buffer or support me. As far as I can see ahead the path continues in this way, leading nowhere. There is wind, a thin strip of rock under foot and a long way to fall. Overhead the sky is thin, birds are circling.

I don’t know how to place my feet. I can’t see where this is getting me.

I raise my arm and a big black bird lands on it.  I put my question to the bird. “I don’t know about this path. I don’t know if I’m headed in the right direction. The right path is supposed to feel right, isn’t it? And this just feels precarious. What do I do?”

The bird sidesteps up my arm to my shoulder, ducks his beak to my ear and hisses: Stop talking.

“But —“

Stop.

“But I—“

Stop.

So I stop. I stop talking. I stop walking. I just sit and watch.

And that’s when I see her up ahead. The dancer. She is spinning and ducking and stepping without fear. Not careless, but confidant and fully engaged. The path is her partner in the dance. She doesn’t ask where it leads. She isn’t talking. She is dancing.

OOO

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it’s you

When I come to the lair of the river dragon I find flowers in a vase among the buckets of old nails and brushes. I see betrayal in the long arms of blossoms the color of sunlight.

“You’ve been entertaining someone young and beautiful,” I accuse. The pain of it cracks me molten. “How could you lie to me like this?” I pound on him and wail.

He catches my wrists in his fists and holds me, “Listen,” he says. “Look. It’s you. You bring the flowers here. It’s you.”

There are flowers blooming in his hands where he holds me. Every blow I had landed left a blooming on his chest. The floor around us is strewn with petals. “It’s you my love,” pulling me in to him. “It’s you my love. It’s you.”

OOO

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river bottom

From the firelight into the water ~

The river bottom mud is soft and still. It calls to me. I think I might lay the weight of me down there a while. But no, the river flow has me, lifts me, tosses me up into the air in a great sparkling spray, lands me on the far shore streaming and breathless, the lure of the river bottom lodged in my chest.

The Ferryman is there before me, stretched out under a tree on a blanket, grinning at the splash of my arrival. He offers me a chicken leg. “I guess you won’t need my help if you aim to cross like that,” he teases.

There is a path leading into the woods. I’ve never seen it before. Its enticing in the way it turns the bend and disappears into possibility. I could step onto it, see where it leads me. I want to. And I don’t want to.

The river is the boundary between myself and everything else. I’m on the far shore now, foreign territory. That path leads away from me.

I turn back to look at my side of the river. It is greener than it was when I first came to the river some months ago. There are willows now and grasses and some daisies. A few cottonwood saplings. Its not the rocky wasteland that it once was, but its no old growth forest either. Its young still and tender.

“Let’s go home.”

The Ferryman carries us back across. I help him pull the boat up onto the dock and flip it. There are a few small repairs to make.

My pockets are full of river bottom mud. I rest my hands in them.

OOO

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